Tag: Tue-Rah Chronicles

J.M. Butler: Review of Heart of the Fae by Emma Hamm (RFS Book Club Winner – February 2019)

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For the month of February 2019, the readers of Romantic Fantasy Shelf voted for two books to read: No Man Can Tame by Miranda Honfleur and Heart of the Fae by Emma Hamm. We’ve already reviewed No Man Can Tame, and as we are wrapping up our Night of the Beasts month, today we talk about Heart of the Fae by Emma Hamm.

This story is the first book in The Otherland Series, and it is also a retelling of Beauty and the Beast. And aptly so as that was our theme for the month.

Type of Story

Heart of the Fae is a high fantasy romance that takes its time getting to the romance. Emma tackles a lot of unpleasant and difficult subjects and themes within this book, making it live up to its description as a Beauty and the Beast with more adult themes.

It too is a retelling that maintains key elements of the original fairy tale while offering its own twists and spins. Here the beast is a cursed fae prince who has been disfigured and cursed in such a way that whenever he is wounded, geodes and crystals appear where the wound was. The beauty is Sorcha, a midwife trying to save her father who runs the family brothel. She goes on a great and confusing quest in an effort to save him.

Sorcha and Eamonn’s story continues in Veins of Magic

Though comparatively, the story starts out slow, picking up substantially after the first third when our primary protagonist Sorcha reaches the island. Emma favors a more descriptive telling approach to the story throughout.

It is important to note that this is not a standalone story nor does the first book in the series end in a satisfying place. The cliffhanger makes sense for the point where it ends, and for readers invested in Sorcha’s journey, picking up the sequel will be an easy decision.

Best Parts of the Story

Without a doubt, the best scenes within the story are between Sorcha and some of the fae inhabitants such as the boggart/brownie and the pixie, Oona. It is particularly within the hag’s hovel that the story shines. It seems as if Emma has a particular affection here because there’s a special tenderness within these scenes that makes them charming and memorable.

Additionally her descriptions can be grippingly memorable and vivid. Descriptions of the castle and the grounds, for instance, were quite charming. The incorporation of the other senses makes the scenes even more compelling.

And, while I never thought I’d be saying this, I have to point to the prologue as well. It marries an old folkloric and mythic voice to a semi-modern rhythm with beautiful descriptions. The rhythm and poetry of the final lines sold me on the story. I may just have to pop back over and read it again.

Worldbuilding Overall

The best part within this story is the infusion of mythology and folklore within the world. While it is not entirely clear whether this is an actual Ireland or a uchronic Ireland, it is a fun world to imagine. I lean toward it being another place entirely, particularly given the blood beetles, which sound truly terrifying. I especially liked the appearance of Macha throughout the story and her representation. Even if one is not particularly familiar with Irish mythology or folklore, it is easy to follow along.

Additionally, Emma’s decision to give the beast such a creative disease with intense repercussions was an excellent choice. It adds to the dark mysteriousness of the story.

I applaud Emma’s desire and efforts at addressing darker subject matter. But I would have liked more nuance to lead to balanced and less confusing situations, and greater consistency within the worldbuilding and character development. Some of these issues may in fact be resolved later as the characters develop or as the world is further explained in the second book. But these elements might take away from the story’s positive elements for the reader.  

The Romance and the Characters

In a sense, The Heart of the Fae is at a disadvantage for discussing the romance because the characters do not meet until a third of the way into the book. And then they make up for lost time, reaching their first romantic connection before the first half ends. The initial meeting is terse, brusque, and aggressive, but they soon find their way to attraction and connection. The characters can sometimes feel erratic in their activities and driving forces as well as memories, but both Sorcha and Eamonn remain drawn to one another in the romantic climax that the reader is waiting for.

Bran returns in the series’ fourth book, The Faceless Woman

Other secondary characters also steal the show. Bran, in particular, takes the focus whenever he is on the page. I won’t share more about him since he goes through some rather interesting developments as a character, but he is one you’ll want to look out for. He feels like a good choice for further stories and focus. Oona and the boggart/brownie also steal the stage, and the Unseelie Queen presents an intriguing character.

Effectiveness as a Retelling

Aside from the cliffhanger ending, The Heart of the Fae does do well at hitting all the beats of a traditional Beauty and the Beast retelling while making them creatively its own. The sacrificial element here plays a needed prominent role, and there are many nods to the Disney Beauty and the Beast as well.  

For those who enjoy Beauty and the Beast retellings with a darker and grimmer edge or Irish mythical retellings, this book is likely a good match.

Have you read this one? What did you think? Share in the comments!


About the Author

J.M. Butler is an adventurer, author, and attorney who never outgrew her love for telling stories or playing in imaginary worlds. She is the author of The Tue-Rah Chronicles, which includes Identity Revealed and Enemy Known. Independent novellas set in the same world include Locked, Alone, and Cursed. She has also written a number of other stories including Mermaid Bride, Through the Paintings Dimly, and more. She writes primarily speculative fiction with a focus on multicultural high fantasy and suspenseful adventures with intriguing romances. And on top of that, she lives with her husband and law partner, James Fry, in rural Indiana where they enjoy creating fun memories, challenging each other, and playing with their three cats.

Reach her at:

Check out J.M.’s prequel to her romantic epic fantasy series the Tue-Rah Chronicles:

Dozens of children have gone missing…

Naatos, a shapeshifter, suspects a devious mindreader named Salanca of abducting children. Salanca has hidden her vicious schemes because, though the other Neyeb can read minds, she knows how to shroud her thoughts deeply.

Naatos must act swiftly and covertly to avert the murder of the stolen children even as he has been rejected yet again for receiving a Neyeb bride.

Not all is as it seems, and a wounded but cursed infant changes Naatos’s plans and life forever…
___

This is a prequel novella to The Tue-Rah Chronicles. It is not necessary to have read The Tue-Rah Chronicles, and it does not contain spoilers.

Get it on Amazon today!

J.M. Butler: Review of No Man Can Tame by Miranda Honfleur (RFS Book Club Winner – February 2019)

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For the month of February 2019, the readers of Romantic Fantasy Shelf voted for two books to read: No Man Can Tame by Miranda Honfleur and Heart of the Fae by Emma Hamm. We’ll be reviewing both on the blog, and today we’re talking about No Man Can Tame.

This story is the first book the Dark-Elves of Nightbloom Series, and it retells one of my favorite fairy tales: Beauty and the Beast. Now don’t get me wrong: I do enjoy reading some of the lesser-known fairy tales retold as well as some of the other popular ones. Really, I love seeing all of them. But Beauty and the Beast is my favorite. I have read many retellings of it over the years—some I loved, others were meh, and a few I hated. But No Man Can Tame is now one of my favorite Beauty and the Beast retellings.

Type of Story

No Man Can Tame is a high-fantasy romance, and it lives up to all my expectations for a book in this genre. The romance is front and center, but there is a great deal of rich worldbuilding. The world itself is set in the same universe as Miranda’s Blade and Rose series, though unlike Blade and Rose this has an Italian rather than a French influence. The story is told through the perspectives of both Aless and Veron.

“This Cinderella is far from a victim. Much to her stepmother’s dismay, Danielle’s independence and intelligence attract the love of the prince.” – Amazon

The retelling itself maintains key elements of the original fairy tale but offers a number of original twists and spins. It is also, to a degree, a double Beauty and the Beast story. In a sense, both protagonists are beauties and beasts, both having to learn key lessons and understand how to be more selfless for this relationship to work. In a sense, this retelling reminds me also of the movie Ever After in its tone and style, as if it would be shot in a similar style.

The story reads quickly with good pacing. While it is a slow-burn romance, it does pay off, and it fits solidly within the genre expectations. Aless and Veron’s story is wrapped up in such a way that, while I wouldn’t object to more stories featuring their perspectives, I won’t feel cheated if I don’t get to read more about them.

One of My Favorite Tropes Represented

Aless, the Beast princess, must wed Veron, an Immortali and prince of the dark elves to assure peace and secure the alliance between their nations. Arranged marriages are one of my favorite tropes simply because of the guarantee of conflict and how it tends to escalate the romantic tension, along with the unknown aspects that come from being in a relationship with a stranger who may not share your same values.

Miranda plays with this trope very well, understanding the implications that arranged marriages have and their impact on individuals while still recognizing that readers want a little bit of fantasy and indulgence with these sorts of stories. So she creates a mixture of conflict and challenges with plenty of build up, attraction, and eventually consummation. More importantly, the contrasting cultures are not there simply as trappings or window dressings. There are consequences and impacts because of these beliefs on both sides.

The Most Crucial Element of a Beauty and the Beast Retelling

In my opinion, the sacrificial element is one of the most important elements of a Beauty and the Beast retelling. In some way, the beauty must sacrifice herself or some part of herself to preserve the safety or happiness of another. It offers a key element of insight into the characters and a connecting point for later events within the book as well as the concept of inner beauty.

In this case, Miranda delivers a particularly strong interpretation. While it is a little spoiler, it takes place near the beginning of the story, so I won’t feel as bad about it. Aless agrees to marry Veron to allow her sister the chance to marry the man she loves and thus preserve her sister’s happiness. This turns out to be part of a rather cunning trick on someone else’s part, but the sacrifice is still there.

Similarly other characters demonstrate sacrifice, sometimes in small ways such as Veron sharing his rations with a fellow starving soldier, despite then having nothing for himself. It is woven throughout the story and plays into the finale in a satisfying way.

The Romance Between the Characters

Aless and Veron’s chemistry is a slow build with a fair bit of tension to begin. They are kept apart not merely because they have different physical standards for beauty but because of cultural expectations and challenges that their relationship brings about. Veron is firm but calm and resolute, utterly loyal to the commands of his queen, his mother. Aless, on the other hand, is more headstrong and impetuous, determined to make the most of things and to create her own solutions even when others attempt to deny her this.

While initially she finds the dark elves’ appearances off putting and even a little frightening (Veron’s claws physically hurt her more than once), Aless in particular grows in her appreciation of the dark elves and their culture, even coming to value their standards. There’s a fascinating scene with the dark elf queen which showcases this in particular.

The romantic relationship works the traditional issues within any relationship: trust and honesty. Both characters have reasons for their particular perspectives, and their motivations and histories sometimes come into conflict, creating persuasive reasons for the delays in their consummation.

As both Veron and Aless become close and work through violations of trust and expectations (indeed some deep emotional wounds are inflicted at a few points), the attraction does develop between them until it reaches the much anticipated exploration of the romantic relationship. Miranda handles this artfully. There are sex scenes with a decent bit of heat and a strong focus on the emotions, and they do contain important information for the plot and character developments.

The Characters and Their Relationships Beyond the Romantic

In Warhammer lore, “few can match the Dark Elves in sheer cruelty, sadism and hubris.”

Another strength of this story is the breadth of the cast of characters. Veron and Aless both have families who play key roles within the story. One of my favorite relationships in this is Aless’s relationship with her sister Bianca. Both sisters are beautiful and admired, but Bianca is their father’s favorite. Yet both remain close. The impact of a third sister is also felt as well as a brother.

Veron likewise has his own family who play not only a key role in his life but in his development. One of the most intriguing is his mother, who has little screen time but is just as refreshing a change-of-pace character as Bianca. The subterranean and ferocious dark elves come from a matriarchal culture, which is reflected throughout the world building in general.

Veron’s mother herself is a strong, stern, and resolute woman, but not cruel or evil or capricious as dark elf queens are often portrayed. She keeps her confidences close, and there is much that is hinted at that suggests she could very easily have her own story. At a key point within the story, she must serve as a queen and determine appropriate consequences for direct disobedience. While she is not as kind as some might like, she is just in her determinations and provides sound reasoning for her decisions.

From Forgotten Realms, the cruel and evil Malice Do’Urden by Dwight “Arkangel” Angelito

Veron’s mother herself is a strong, stern, and resolute woman, but not cruel or evil or capricious as dark elf queens are often portrayed. She keeps her confidences close, and there is much that is hinted at that suggests she could very easily have her own story. At a key point within the story, she must serve as a queen and determine appropriate consequences for direct disobedience. While she is not as kind as some might like, she is just in her determinations and provides sound reasoning for her decisions.

Indeed, all of the secondary characters feel strong enough to carry their own stories. I am excited that there will be more stories within this series that will hopefully explore these. What makes this all the more exciting is that the characters, from the protagonists to the antagonists, are all mixtures of good and bad with understandable motivations, weaknesses, and aspirations.

Fascinating Influences Within the Story

As a fellow epic fantasy author, I find worldbuilding to be one of the most fascinating aspects of stories like this. One of the things I spotted that brought me a great deal of joy was the influence of the Eddas in Miranda’s development of the dark elf culture. Norse mythology is one of my favorites, and seeing how well it was woven in without being overbearing was a delight.

Svartálfar in Norse myth are “black elves,” who dwell in Svartalfheim or the “world of black elves.”

Additionally, at points, I recognized some allusions to William Shakespeare’s The Taming of the Shrew. Though “allusions” might not be as good a word as “subversions.” Aless has a formidable and indomitable spirit. Despite her mistakes, she cannot be tamed (thus, I think, the title). She and Veron are equals within their marriage, and while he does not try to keep her from being that, he does have to learn what it is for her to be who she is, just as much as she has to learn how to truly see beyond her own interests.

A Couple Minor Beauty and the Beast Elements

While certainly not essential to the Beauty and the Beast retelling, Miranda did incorporate a couple other facets of the story. The library’s inclusion and its cultivation throughout the story is one of my favorites. Not simply because I love libraries but because of what it reveals about Aless, her past, her family, and her culture.

Additionally, magic roses appear as well. They are present for only a little bit, but if my authorial senses are correct, I suspect we may see more of them in future books.

For those who enjoy Beauty and the Beast retellings or high-fantasy romance stories, I definitely recommend No Man Can Tame. It has all the appeal of both the genres beautifully woven together in a satisfying and charming package.

Have you read this one? What did you think about the spin on Beauty and the Beast? Share in the comments!

About the Author

J.M. Butler is an adventurer, author, and attorney who never outgrew her love for telling stories or playing in imaginary worlds. She is the author of The Tue-Rah Chronicles, which includes Identity Revealed and Enemy Known. Independent novellas set in the same world include Locked, Alone, and Cursed. She has also written a number of other stories including Mermaid Bride, Through the Paintings Dimly, and more. She writes primarily speculative fiction with a focus on multicultural high fantasy and suspenseful adventures with intriguing romances. And on top of that, she lives with her husband and law partner, James Fry, in rural Indiana where they enjoy creating fun memories, challenging each other, and playing with their three cats.

Reach her at:

J.M.’s recent release is Enemy Known, the second book in her romantic epic fantasy series the Tue-Rah Chronicles:

Trapped between warring forces, Amelia must own her destiny before her heart splits in two.

Although cursed to be unable to kill, Amelia must still fulfill her prophetic duty to end her unwanted husband’s march of terror. Already Naatos, a world conquering warlord, and his brothers have conquered Libysha. Her people demand she vanquish them to prove her loyalty and save them. To refuse is to lose the trust of her own family and friends, the people whom she always longed to protect.

But Amelia’s enemies aren’t only on the outside. When betrayal threatens the refuge of her allies, Amelia must return to Naatos in order to distract him from further bloodshed, all while fighting her growing affection for him and his family. Yet the more she learns of tragic history, the murkier the truth becomes. The very people Amelia defends have committed their own atrocities, including linking Amelia to a human soldier who holds half her soul in a life-threatening bond.

Attacked by her allies and cared for by her enemies, Amelia struggles on, more disillusioned with her destiny. A massive army of deadly shapeshifters looms on the other side of the Tue-Rah, an interdimensional portal. With the fate of worlds resting on her shoulders, she must walk the balance between hero and villain before she is torn in two.