Ines Johnson: Girl On Her Own Horse (Tropes in Fantasy Romance)

Have you been paying attention to the evolution of the Cinderella story? If you’ve watched the Disney blockbuster Frozen, then you have. Young girls and women are no longer waiting around for a man to come by on his horse, sweep them off their feet, and give them shoes.

Okay… I doubt any of us would turn down the shoes!

Cinderella swaps her glass slippers for combat boots in this fairytale fantasy. 

My point is that women are now taking the reins of their own stories and rejecting the Cinderella trope of changing themselves into someone new. In many, dare I say most, of these stories, the prince doesn’t pay attention to the Cinderella character in her ordinary world of working 9-5 p.m. with grime under her nails and threadbare clothes. He doesn’t look her way until she gets magicked into expertly applied makeup, a binding, shape-shifting corset, and brand-new shoes.

My first notice of this was in the film Working Girl. This ’80s retelling of the Cinderella story featured a bright secretary who had dreams of entering the board room with a briefcase instead of coffee. When her wicked boss steals her idea, the secretary seizes an opportunity to steal into a high-profile business meeting by pretending that she’s her boss, while also wearing her boss’s dress and shoes. Melanie Griffith, as the secretary, uses Harrison Ford’s charming character to get her into the board room’s door. When the business deal goes south, Griffith doesn’t wait for the knight in a business suit to rescue her. Instead, she shows off her “head for business and bod for sin” in order to win a business deal, thwart her boss, and get her man.

In this Edwardian retelling of Cinderella, the heroine is a katana-wielding zombie slayer!

A decade later, Drew Barrymore retold the Cinderella story in Ever After. In a pivotal scene when Barrymore’s character, Danielle, has been taken prisoner by the evil Pierre Le Pieu, the audience holds their breath as the prince leaps onto his horse and heads off to rescue her. But Danielle picks up not one, but two swords, and swashbuckles her way to an escape. As she’s walking out of the castle a free woman, the prince arrives moments too late with her shoe in hand.

In this reverse Cinderella retelling, the hero is the one looking to go from rags to riches…

Nearly another decade later came another retelling with Penelope. Penelope is an heiress born under a curse that can only be broken in the face of true love. The problem? Penelope’s face doesn’t inspire sonnets and poems as much as it does a hankering for breakfast meats. Penelope’s snout nose has caused her to be rejected her whole life, including rejection from her own mother. When she finally finds a man willing to tolerate her looks and break the curse, she comes to the realization that she likes herself just the way she is. And just like that, the curse is broken and Penelope’s outside matches her glowing inside.

In today’s stories, women don’t wait around for men on horses. They take the reins, defend themselves, and declare love to their own reflections. They’re now even qualified to deliver true love’s kiss to their own sisters as we saw in the blockbuster Frozen.

What are your favorite books with heroines who save themselves? Share in the comments!

About the Author

Lover of fairytales, folklore, and mythology, Ines Johnson spends her days reimagining the stories of old in a modern world. She writes books where damsels cause the distress, princesses wield swords, and moms save the world.

Want a modern-day fairytale retelling? Check out her Cindermama series. Rather see 21st century women kicking ass with a touch of sword and sorcery? Check out her Misadventures of Dame Galahad series. Or want a bit of magic in your love story? Check out her Knights of Caerleon series.

You can find her and her books at www.ineswrites.com or on Facebook at https://www.facebook.com/ineswrites/

Ines’ recent release is One Knight, the second book in her Knights of Caerleon series:

Sir Lancelot will make you swoon in this steamy, modern-day adventure of valiant knights, sassy witches and the death of chivalry!

Lance has loved Lady Gwin for a hundred years. Though he’s the best knight in Camelot, his low birth ensured that she was beyond his suit, and so she was promised to another. But when Lance and Gwin’s lips accidentally meet, Lance flees Camelot, rushing into battle recklessly to avoid conquering the one quest he’s never completed: having the noble Lady Gwin in his arms.

Lady Gwin has been living a lie for a hundred years. Her arranged marriage linked two powerful families, ensuring her place among her people—but her vows were never consummated, and the union to a treasonous wizard is a sham. Now, she’s ready to tell the world the truth, starting with the man who captured her heart just before her wedding day. But when a stolen kiss sends Lance running unprepared into a dangerous mission, Gwin is determined to save him.

Though forbidden love has drawn them together, the pressures of society and the pursuit of a deadly enemy threaten to tear Lance and Gwin apart. In a place as steeped in ancient tradition and duty as Camelot, following their hearts could spell disaster.


One Knight is the second book in a series of modern-day retellings of the myths and lore of Camelot. If you like fierce knights who would lay down their lives for their brothers and lose their hearts for their women, then you’ll love the Knights of Caerleon.

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